JAPANESE PRINTS

A MILLION QUESTIONS

TWO MILLION MYSTERIES

 

Ukiyo-e Prints

浮世絵版画

Port Townsend, Washington

 

UTAGAWA TOYOKUNI III
三代歌川豊国
さんだい.うたがわ.とよくに
1786-1865
Series: A Selection of the Twelve Months
Mitate juni kagetsu no uchi
見立て十二ヶ月ノ内
みたてじゅうにかげつのうち
Publisher: Iseya Kanekichi
伊勢屋兼吉
いせや.かねきち
Carver: Yokogawa Takejirō
よこがわ.たけじろう
Date: 1859, 11th Month
Ansei 6
安政6
Size: 14 1/2" x 9 7/8"
Signed: Ichiyōsai Toyokuni hitsu
署名: 一陽斎豊国筆
しょめい: いちようさいとよくにひつ

The still life inset at the top of print is by Utagawa Kunihisa  (歌川国久 or うたがわ.くにひさ). Kunihisa (1832-91) was Toyokuni III's son-in-law. The inset is signed Kunihisa ga.

Condition: It would appear that this and the other prints in this series  had been bound into an album. That would not only explain the relative freshness of the colors, but also the areas along the right side of the print where the binding holes have been restored. Other than that the print is in a good state with only very slight areas of distress and with slight soiling.

$620.00

 

 

 

 

A SELECTION OF THE TWELVE MONTHS

           

WE ARE OFFERING FIVE OF SIX OF THIS SERIES,

BUT NOT THE FOURTH ONE FROM THE LEFT WHICH IS ALSO THE THIRD ONE FROM THE RIGHT.

 

    Below is a metal kettle known as a choshi (銚子or ちょうし) used for warming and serving sake.  
     
     
       

 

  PAPER BUTTERFLIES  
 
FEMALE   MALE
     

Ivan Morris in his fascinating book The World of the Shining Prince: Court Life in Ancient Japan says of Shintoism that its "...central themes are joyful acceptance of the natural world and gratitude for its bounty, coupled with a horror of illness and death, which are regarded as the source of all pollution." (1)  Morris states that at the time of Heian period Shintoism "...had not philosophical, speculative, or ethical elements; no elaborate ritual or priestly hierarchy; no saints, martyrs, or even a founder; no scripture or exegesis; no interest in education and art - in fact, no positive, constructive aspect whatsoever. So vague and amorphous was the native religion that not until Buddhism appeared in Japan did it even acquire a name - Shin-to ('the way of the gods'), as opposed to Butsu-dō ('the way of Buddha')." (2)

     
 

On the left is a very small detail from a pentaptych by Hokusai of a New Year's celebration at the Ōgi-ya house in the Yoshiwara. Included among the various images rich in symbolism such as the shi-shi, i.e., lions and the multiple Daruma dolls are the two saké containers atop a lacquer table greeting us at the top of the steps.  Adorning each of the vessels are the origami butterflies, both male and female.

     
     

 

     
   
 

Above is a detail of the hairline of the dominate figure of this print. We have reproduced it here so  you can get a better impression of the finer areas of woodblock carving. Notice the finer lines at the top edge of the forehead. What does not come through  is the embossing found in the white cloth which is tied off on the top of the head.

 

 

Any questions or comments? Please contact us.
Jvegder@printsofjapan.com

 

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